Unfinished and Disappointing

David Levine explains why Venise Sauvée is the center of the seminar.

These questions of form – what makes a good play is often very much at odds with what makes an engaged citizen.  it places weird demands on everything you expect, and everything you want a play to be …

“Hey, David – even if you wouldn’t go work in a factory for a year, wouldn’t you hire someone else to work in a factory for a year and call it an art peice?”

“But THAT’S my problem!”

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