David Levine explains why Venise Sauvée is the center of the seminar.
These questions of form – what makes a good play is often very much at odds with what makes an engaged citizen. it places weird demands on everything you expect, and everything you want a play to be …
“Hey, David – even if you wouldn’t go work in a factory for a year, wouldn’t you hire someone else to work in a factory for a year and call it an art peice?”
“But THAT’S my problem!”