Kredibility’s Banquet

The second week of Venice Saved kicks off with another full house, including a dozen students sprinkled around the tables, their faces both tender and suspicious.

David Levine picks up the chalk and begins to write on the wall: political theatre?

“Theatre that’s a commentary on political systems.”

“Theatre that makes you want to change stuff.”

“Feelings as facts – belief systems as if they’re reality – as if they’re outside facts, which is a political gesture.”

“Results?”

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